Metamorphoses, Books I-VIIRoman MythologyAncient Myth / ComparativeLatinShareMetamorphoses 122Riley, Books I-VII - EnglishMoreVersion - 1 availableRiley, Books I-VIILanguageEnglishEspañol‹Metamorphoses 1Metamorphoses 2Metamorphoses 3Metamorphoses 4Metamorphoses 5Metamorphoses 6Metamorphoses 7Metamorphoses 8Metamorphoses 9Metamorphoses 10Metamorphoses 11Metamorphoses 12Metamorphoses 13Metamorphoses 14Metamorphoses 15Metamorphoses 16Metamorphoses 17Metamorphoses 18Metamorphoses 19Metamorphoses 20Metamorphoses 21Metamorphoses 22Metamorphoses 23Metamorphoses 24Metamorphoses 25Metamorphoses 26Metamorphoses 27Metamorphoses 28Metamorphoses 29Metamorphoses 30Metamorphoses 31Metamorphoses 32Metamorphoses 33Metamorphoses 34Metamorphoses 35Metamorphoses 36Metamorphoses 37Metamorphoses 38Metamorphoses 39Metamorphoses 40Metamorphoses 41Metamorphoses 42Metamorphoses 43Metamorphoses 44Metamorphoses 45Metamorphoses 46Metamorphoses 47Metamorphoses 48Metamorphoses 49Metamorphoses 50Metamorphoses 51Metamorphoses 52Metamorphoses 53Metamorphoses 54Metamorphoses 55Metamorphoses 56Metamorphoses 57Metamorphoses 58Metamorphoses 59Metamorphoses 60Metamorphoses 61Metamorphoses 62Metamorphoses 63Metamorphoses 64Metamorphoses 65Metamorphoses 66Metamorphoses 67Metamorphoses 68Metamorphoses 69Metamorphoses 70Metamorphoses 71Metamorphoses 72Metamorphoses 73Metamorphoses 74Metamorphoses 75Metamorphoses 76Metamorphoses 77Metamorphoses 78Metamorphoses 79Metamorphoses 80Metamorphoses 81Metamorphoses 82Metamorphoses 83Metamorphoses 84Metamorphoses 85Metamorphoses 86Metamorphoses 87Metamorphoses 88Metamorphoses 89Metamorphoses 90Metamorphoses 91Metamorphoses 92Metamorphoses 93Metamorphoses 94Metamorphoses 95Metamorphoses 96Metamorphoses 97Metamorphoses 98Metamorphoses 99Metamorphoses 100Metamorphoses 101Metamorphoses 102Metamorphoses 103Metamorphoses 104Metamorphoses 105Metamorphoses 106Metamorphoses 107Metamorphoses 108Metamorphoses 109Metamorphoses 110Metamorphoses 111Metamorphoses 112Metamorphoses 113Metamorphoses 114Metamorphoses 115Metamorphoses 116Metamorphoses 117Metamorphoses 118Metamorphoses 119Metamorphoses 120Metamorphoses 121Metamorphoses 122Metamorphoses 123Metamorphoses 124Metamorphoses 125Metamorphoses 126Metamorphoses 127Metamorphoses 128Metamorphoses 129Metamorphoses 130Metamorphoses 131Metamorphoses 132Metamorphoses 133Metamorphoses 134Metamorphoses 135Metamorphoses 136›Fable Ii. [Vii.159-349]Metamorphoses 122ListenPlay this chapter in spoken English.Save chapterListen to chapter1Jason, after his return home, requests Medea to restore his father Æson to youth, which she performs; then, going to the court of Pelias, she avenges the injuries which he had done to the family of Jason, by making him the victim of the credulity of his own daughters, who, in compliance with her pretended regard for them, stab him to death. Medea, having executed her design, makes her escape in her chariot. 2The Hæmonian mothers and aged fathers bring presents, for receiving their sons {safe home}; and frankincense dissolves, piled on the flames, and the devoted victim falls, having its horns gilded. But Æson is not among those congratulating, being now near death, and worn out with the years of old age; when thus the son of Æson {addresses Medea}: “O wife, to whom I confess that I owe my safety, although thou hast granted me everything, and the sum of thy favors exceeds {all} belief; {still}, if {thy enchantments} can effect this (and what can enchantments not effect?), take away from my own years, and, when taken, add them to {those of} my father.” 3And {thus saying}, he could not check his tears. She was moved with the affection of the petitioner; and {her father}, Æetes, left behind, recurred to her mind, unlike {that of Jason}; yet she did not confess any such feelings. “What a piece of wickedness, husband,” said she, “has escaped thy affectionate lips! Can I, then, seem capable of transferring to any one a portion of thy life? May Hecate not allow of this; nor dost thou ask what is reasonable; but, Jason, I will endeavor to grant thee a favor {still} greater than that which thou art asking. By my arts we will endeavor to bring back the long years of my father-in-law, and not by means of thy years; if the Goddess of the triple form[20] do but assist, and propitiously aid {so} vast an undertaking.” Three nights were {now} wanting that the horns {of the Moon} might meet entirely, and might form a {perfect} orb. After the Moon shone in her full, and looked down upon the Earth, with her disk complete, {Medea} went forth from the house, clothed in garments flowing loose, with bare feet,[21] and having her unadorned hair hanging over her shoulders, and unattended, directed her wandering steps through the still silence of midnight. Sound sleep has {now} relaxed {the nerves of both} men, and birds, and beasts; the hedges and the motionless foliage are still, without any noise, the dewy air is still; the stars alone are twinkling; 4towards which, holding up her arms, three times she turns herself about, three times she besprinkles her hair with water taken from the stream; with three yells she opens her mouth, and, her knee bending upon the hard ground, she says, “O Night, most faithful to these my mysteries, and ye golden Stars, who, with the Moon, succeed the fires of the day, and thou, three-faced Hecate,[22] who comest conscious of my design, and ye charms and arts of the enchanters, and thou, too, Earth, that dost furnish the enchanters with powerful herbs; ye breezes, too, and winds, mountains, rivers, and lakes, and all ye Deities of the groves, and all ye Gods of night, attend here; through whose aid, whenever I will, the rivers run back from their astonished banks to their sources, {and} by my charms I calm the troubled sea, and rouse it when calm; I disperse the clouds, and I bring clouds {upon the Earth}; I both allay the winds, and I raise them; and I break the jaws of serpents with my words and my spells; I move, too, the solid rocks, and the oaks torn up with their own {native} earth, and the forests {as well}. I command the mountains, too, to quake, and the Earth to groan, and the ghosts to come forth from their tombs. Thee, too, O Moon, do I draw down, although the Temesæan[23] brass relieves thy pangs. By my spells, also, the chariot of my grandsire is rendered pale; Aurora, too, is pale through my enchantments. 5For me did ye blunt the flames of the bulls, and with the curving plough you pressed the necks that never before bore the yoke. You raised a cruel warfare for those born of the dragon among themselves, and you lulled to sleep the keeper {of the golden fleece}, that had never known sleep; and {thus}, deceiving the guardian, you sent the treasure into the Grecian cities. Now there is need of juices, by means of which, old age, being renewed, may return to the bloom {of life}, and may receive back again its early years; and {this} ye will give me; for not in vain did the stars {just now} sparkle; nor yet in vain is the chariot come, drawn by the necks of winged dragons.” 6A chariot sent down from heaven was come; which, soon as she had mounted, and had stroked the harnessed necks of the dragons, and had shaken the light reins with her hands, she was borne aloft, and looked down upon Thessalian Tempe below her, and guided her dragons towards the chalky regions;[24] and observed the herbs which Ossa, and which the lofty Pelion bore, Othrys, too, and Pindus, and Olympus {still} greater than Pindus; and part she tore up by the root gently worked, part she cut down with the bend of a brazen sickle.[25] Many a herb, too, that grew on the banks of Apidanus[26] pleased her; many, too, {on the banks} of Amphrysus; nor, Enipeus, didst thou escape. The Peneian waters, and the Spercheian as well, contributed something, and the rushy shores of Bœbe.[27] She plucks, too, enlivening herbs by the Eubœan Anthedon,[28] not yet commonly known by the change of the body of Glaucus.[29] And now the ninth day,[30] and the ninth night had seen her visiting all the fields in her chariot, and upon the wings of the dragons, when she returned; nor had the dragons been fed, but with the odors {of the plants}: and yet they cast the skin of old age full of years. On her arrival she stood without the threshold and the gates, and was canopied by the heavens alone, and avoided the contact of her husband, and erected two altars of turf; 7on the right hand, one to Hecate, but on the left side one to Youth.[31] After she had hung them round with vervain and forest boughs, throwing up the earth from two trenches not far off, she performed the rites, and plunged a knife into the throat of a black ram, and besprinkled the wide trenches with blood. Then pouring thereon goblets[32] of flowing wine, and pouring brazen goblets of warm milk; she at the same time utters words, and calls upon the Deities of the earth, and entreats the king of the shades[33] below, together with his ravished wife, that they will not hasten to deprive the aged limbs of life. When she had rendered them propitious both by prayers and prolonged mutterings, she commanded the exhausted body of Æson to be brought out to the altars, and stretched it cast into a deep sleep by her charms, {and} resembling one dead, upon the herbs laid beneath him. 8She orders the son of Æson to go far thence, and the attendants, too, to go afar; and warns them to withdraw their profane eyes from her mysteries. At her order, they retire. Medea, with dishevelled hair, goes round the blazing altars like a worshipper of Bacchus, and dips her torches, split into many parts, in the trench, black with blood, and lights them, {thus} dipt, at the two altars. And thrice does she[34] purify the aged man with flames, thrice with water, and thrice with sulphur. In the meantime the potent mixture[35] is boiling and heaving in the brazen cauldron, placed {on the flames}, and whitens with swelling froth. There she boils roots cut up in the Hæmonian valleys, and seeds and flowers and acrid juices. She adds stones fetched from the most distant East, and sand, which the ebbing tide of the ocean has washed. She adds, too, hoar-frost gathered at night by the light of the moon, and the ill-boding wings of a screech owl,[36] together with its flesh; and the entrails of an ambiguous wolf, that was wont to change its appearance of a wild beast into {that of} a man. Nor is there wanting there the thin scaly slough of the Cinyphian water-snake,[37] and the liver of the long-lived stag;[38] to which, besides, she adds the bill and head of a crow that had sustained {an existence of} nine ages. 9When, with these and a thousand other things without a name, the barbarian {princess} has completed the medicine prepared for the mortal {body}, with a branch of the peaceful olive long since dried up, she stirs them all up, and blends the lowest {ingredients} with the highest. Behold! the old branch, turned about in the heated cauldron, at first becomes green; and after no long time assumes foliage, and is suddenly loaded with heavy olives. Besides, wherever the fire throws the froth from out of the hollow cauldron, and the boiling drops fall upon the earth, the ground becomes green, and flowers and soft grass spring up. 10Soon as Medea sees this, she opens the throat[39] of the old man with a drawn sword; and allowing the former blood to escape, replenishes {his veins} with juices. Soon as Æson has drunk them in, either received in his mouth or in his wound, his beard and his hair[40] laying aside their hoariness, assume a black hue. His leanness flies, being expelled; his paleness and squalor are gone. His hollow veins are supplied with additional blood, and his limbs become instinct with vigor. Æson is astonished, and calls to recollection that he was such four times ten years before. 11Liber had beheld from on high the miraculous operations of so great a prodigy; and taught {thereby} that youthful years can be restored to his nurses,[41] he requests this present from the daughter of Æetes.[42] 12And that her arts[43] may not cease, the Phasian feigns a counterfeited quarrel with her husband, and flies as a suppliant to the threshold of Pelias[44] and (as he himself is oppressed with old age) his daughters receive her; whom, after a short time, the crafty Colchian engages to herself by the appearance of a pretended friendship. And while among the greatest of her merits, she relates that the infirmities of Æson have been removed, and is dwelling upon that part {of the story}, a hope is suggested to the damsels, the daughters of Pelias, that by the like art their parent may become young again; and this they request {of her}, and repeatedly entreat her to name her own price. For a short time she is silent, and appears to be hesitating, and keeps their mind in suspense, as they ask, with an affected gravity. 13Afterwards, when she has promised them, she says, “That there may be the greater confidence in this my skill, the leader of the flock among your sheep, which is the most advanced in age, shall become a lamb by this preparation.” Immediately, a fleecy {ram}, enfeebled by innumerable years, is brought, with his horns bending around his hollow temples; whose withered throat, when she has cut with the Hæmonian knife, and stained the steel with its scanty blood, the enchantress plunges the limbs of the sheep, and her potent juices together, into the hollow copper. The limbs of his body are lessened, and he puts off his horns, and his years together with his horns; and in the midst of the kettle a low bleating is heard. And without any delay, while they are wondering at the bleating, a lamb springs forth, and gambols in its course, and seeks the suckling dugs. The daughters of Pelias are amazed; and after her promises have obtained her credit, then, indeed, they urge her still more strongly. Phœbus had thrice taken the yoke off his horses sinking in the Iberian sea;[45] and upon the fourth night the radiant stars were twinkling, when the deceitful daughter of Æetes set pure water upon a blazing fire, and herbs without any virtue. And now sleep like to death, their bodies being relaxed, had seized the king, and the guards together with their king, which her charms and the influence of her enchanting tongue had caused. 14The daughters {of the king}, {as} ordered, had entered the threshold, together with the Colchian, and had surrounded the bed; “Why do you hesitate now, in your indolence? Unsheathe your swords,” says she, “and exhaust the ancient gore, that I may replenish his empty veins with youthful blood. The life and the age of your father is now in your power. If you have any affection and cherish not vain hopes, perform your duty to your father, and drive away old age with your weapons, and, thrusting in the steel, let out his corrupted blood.” 15Upon this exhortation, as each of them is affectionate, she becomes especially undutiful, and that she may not be wicked, she commits wickedness. Yet not one is able to look upon her own blow; and they turn away their eyes, and turning away their faces, they deal chance blows with their cruel right hands. He, streaming with gore, yet raises his limbs on his elbows, and, half-mangled, attempts to rise from the couch; and in the midst of so many swords stretching forth his pale arms, he says, “What are you doing, my daughters? What arms you against the life of your parent?” Their courage and their hands fail {them}. As he is about to say more, the Colchian severs his throat, together with his words, and plunges him, {thus} mangled, in the boiling cauldron. 16[Footnote 20: Of the triple form.--Ver. 177. Hecate, the Goddess of enchantment.] 17[Footnote 21: With bare feet.--Ver. 183. To have the feet bare was esteemed requisite for the due performance of magic rites, though sometimes on such occasions, and probably in the present instance, only one foot was left unshod. In times of drought, according to Tertullian, a procession and ceremonial, called ‘nudipedalia,’ were resorted to, with a view to propitiate the Gods by this token of grief and humiliation.] 18[Footnote 22: Three-faced Hecate.--Ver. 194. Though Hecate and the Moon are here mentioned as distinct, they are frequently considered to have been the same Deity, with different attributes. The three heads with which Hecate was represented were those of a horse, a dog, and a pig, or sometimes, in the place of the latter, a human head.] 19[Footnote 23: Temesæan.--Ver. 207. Temesa was a town of the Brutii, on the coast of Etruria, famous for its copper mines. It was also sometimes called Tempsa. There was also another Temesa, a city of Cyprus, also famous for its copper.] 20[Footnote 24: Chalky regions.--Ver. 223. Such was the characteristic of the mountainous country of Thessaly, where she now alighted.] 21[Footnote 25: Brazen sickle.--Ver. 227. We learn from Macrobius and Cælius Rhodiginus that copper was preferred to iron in cutting herbs for the purposes of enchantment, in exorcising spirits, and in aiding the moon in eclipses against the supposed charms of the witches, because it was supposed to be a purer metal.] 22[Footnote 26: Apidanus.--Ver. 228. This and Amphrysus were rivers of Thessaly.] 23[Footnote 27: Shores of Bœbe.--Ver. 231. Strabo makes mention of lake Bœbeis, near the town of Bœbe, in Thessaly. It was not far from the mouth of the river Peneus.] 24[Footnote 28: Anthedon.--Ver. 232. This was a town of Bœotia, opposite to Eubœa, being situated on the Euripus, now called the straits of Negropont.] 25[Footnote 29: Glaucus.--Ver. 233. He was a fisherman, who was changed into a sea God, on tasting a certain herb. His story is related at the end of the 13th Book.] 26[Footnote 30: Ninth day.--Ver. 234. The numbers three and nine seem to have been deemed of especial virtue in incantations.] 27[Footnote 31: One to youth.--Ver. 241. This goddess was also called Hebe, from the Greek word signifying youth. She was the daughter of Juno, and the wife of Hercules. She was also the cup-bearer of the Gods, until she was supplanted by Ganymede.] 28[Footnote 32: Goblets.--Ver. 246. ‘Carchesia.’ The ‘carchesium’ was a kind of drinking cup, used by the Greeks from very early times. It was slightly contracted in the middle, and its two handles extended from the top to the bottom. It was employed in the worship of the Deities, and was used for libations of blood, wine, milk, and honey. Macrobius says that it was only used by the Greeks. Virgil makes mention of it as used to hold wine.] 29[Footnote 33: King of the shades.--Ver. 249. Pluto and Proserpine. Clarke translates this line and the next, ‘And prays to the king of shades with his kidnapped wife, that they would not be too forward to deprive the limbs of the old gentleman of life.’] 30[Footnote 34: Thrice does she.--Ver. 261. Clarke thus renders this and the two following lines: ‘And purifies the old gentleman three times with flame, three times with water, and three times with sulphur. In the meantime the strong medicine boils, and bounces about in a brazen kettle set on the fire.’] 31[Footnote 35: The potent mixture.--Ver. 262. This reminds us of the line of Shakespeare in Macbeth, ‘Make the hell-broth thick and slab.’] 32[Footnote 36: A screech owl.--Ver. 269. ‘Strigis.’ The ‘strix’ is supposed to have been the screech owl, and was a favorite bird with the enchanters, who were supposed to have the power of assuming that form. From the description given of the ‘striges’ in the Sixth Book of the Fasti, it would almost appear that the qualities of the vampyre bat were attributed to them.] 33[Footnote 37: Water snake.--Ver. 272. The ‘chelydrus’ was a venomous water-snake of a powerful and offensive smell. The Delphin Commentator seems to think that a kind of turtle is here meant.] 34[Footnote 38: Long-lived stag.--Ver. 273. The stag was said to live four times, and the crow nine times, as long as man.] 35[Footnote 39: Opened the throat.--Ver. 285-6. Clarke translates the words ‘quod simul ac vidit, stricto Medea recludit Ense senis jugulum,’ ‘which as soon as Medea saw, she opens the throat of the old gentleman with a drawn sword.’] 36[Footnote 40: And his hair.--Ver. 288. Medea is thought by some writers not only to have discovered a dye for giving a dark color to grey hair, but to have found out the invigorating properties of the warm bath.] 37[Footnote 41: To his nurses.--Ver. 295. These (in Book iii. l. 314.) he calls by the name of Nyseïdes; but in the Fifth Book of the Fasti they are styled Hyades, and are placed in the number of the Constellations. A commentator on Homer, quoting from Pherecydes, calls them ‘Dodonides.’] 38[Footnote 42: Daughter of Æetes.--Ver. 296. The reading in most of the MSS. here is Tetheiâ, or ‘Thetide;’ but Burmann has replaced it by Æetide, ‘the daughter of Æetes.’ It has been justly remarked, why should Bacchus apply to Tethys to have the age of the Nymphs, who had nursed him, renewed, when he had just beheld Medea, and not Tethys, do it in favor of Æson?] 39[Footnote 43: That her arts.--Ver. 297. ‘Neve doli cessent’ is translated by Clarke, ‘and that her tricks might not cease.’] 40[Footnote 44: Pelias.--Ver. 298. He was the brother of Æson, and had dethroned him, and usurped his kingdom.] 41[Footnote 45: The Iberian sea.--Ver. 324. The Atlantic, or Western Ocean, is thus called from Iberia, the ancient name of Spain; which country, perhaps, was so called from the river Iberus, or Ebro, flowing through it.] ‹Previous chapterMetamorphoses 121Next chapterMetamorphoses 123›Similar passagesBy tradition and source labelFind similarCompare selectedCompare with similarAsk Deep ThoughtSelect passages to search for parallels.Tap any verse to select it, then compare selected passages or ask Deep Thought. Public domain in the United States via Project Gutenberg